While researching for this interview, I came across a quote by Yayoi Kusama, “Every time I have had a problem, I have confronted it with the axe of art.” So simply put, this statement perfectly sums up for me the immense power that art holds, its mind opening and altering capabilities. It struck me that this is what the Guerrilla Girls collective have been doing for almost 40 years, using…
As you know from all your reading on Juxtapoz over the years, FAILE is the name for artist duo Patrick Miller and Patrick McNeil who have collaborated for 25 years. The due, who we had on the Radio Juxtapoz podcast earlier this year, just opened the exhibition at [CONTAINER], FAILE: A Riot of Existence, their first exhibition in Santa Fe, and will celebrate FAILE’s 25th anniversary. Visitors can expect to be transported to a…
On the occasion of his latest book, Monumental Graffiti, Rafael Schacter sat down with our good friend Doug Gillen of FifthWallTV to talk about just that, his love for graffiti and his book that “focuses on the material, communicative, and contextual aspects of these two forms of material culture to provide a timely perspective on public art, citizenship, and the city today.”
There is something so comforting about a HUSKMITNAVN show at V1 Gallery. Not that the work is comfortable, but that you know HUSKMITNAVN will paint about domestic life in a way that feels relatable, or create a collective sense of anxiety and humor in his illustrations. It’s comforting because you know he has an eye out for us, he’s paying attention, he gets it, he gets what is going on…
The perks and drawbacks of being a masked figure are roughly the same: nobody can know you. While this anonymity frees graffiti artists like GATS (Graffiti Against the System), it also means the painter has had to connect with their audience beyond a personal identity. Over decades of painting city walls, warehouses, underpasses, and highways worldwide, GATS has built a community that instantly recognizes the bearded or toothed mask as…
Lots going on in London right now, and in mural news, Shepard Fairey teamed with Migrate Art to create a new work, Rise Above Earth Justice, painted at Anlaby House, Boundary Street, Shoreditch. The project was funded by the Ford Foundation with the support of Ambassador Jane Hartley of the U.S. Embassy in London, and produced by Migrate Art, Charlotte Pyatt and Simon Butler.
One of the greatest contributions to the art lexicon is treating street art as an active tool in understanding how we use and view public space. It has always been insufficient to simply label it as “street art” or “graffiti” and neglect the broader context in which it can be appreciated on both micro and macro levels. Nuart and the Nuart Festival, alongside curator Martyn Reed from his home base…
No doubt, there are a lot of mural festivals; in fact, too many, if you ask me. When the senior center starts taking field trips to see cool new graffiti on the walls of your town’s “old town,” the coolness factor of the mural festival has lost much of its… coolness. With the idea generally being to shine a light on your city via large scale art, once a few…
Right from the jump; it’s all here. FUTURA 2000, the Bronx, graffiti, street culture, 50 years of art history…, like there are few art forms, and an artist for that matter, that represent a particular era (and the transcendence of said era to move through the years) quite like FUTURA. He and graffiti go together, even though FUTURA didn’t linger in graff for too long. He took the freedom, the…
It’s been 150 years since Impressionism transformed our world and how we perceive it. On April 15, 1874, a collective of upstarts including Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Berthe Morisot and Paul Cézanne converged on the Paris studio of photographer Félix Nadar for a group show that art critic Louis Leroy sardonically dubbed “The Exhibition of the Impressionists” — a jab at Monet’s “Impression: soleil levant,” the painter’s dreamlike…